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Image Caption:
George Khut with Caitlin Newton-Broad, Greg Turner and David Morris-Oliveros,
The Heart Library Project (projection detail), 2008, interactive installation, courtesy of the artists.
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Enfoldings & Disclosures
11 March – 11 April 2008
Lisa Jones & George Khut with Caitlin Newton-Broad, Greg Turner and David Morris-Oliveros.
Enfoldings & Disclosures will showcase anatomically inspired sculptures and drawings by Lisa Jones alongside The Heart Library Project, a new interactive work by George Khut, with collaborators Caitlin Newton-Broad, Greg Turner and David Morris-Oliveros.
The Heart Library Project combines a body-sensing interactive video system with a participatory drawing process, inviting people to explore links between mental and physical experience through a combination of hands-on biofeedback interaction and multi-media story telling.
Lisa Jones’ objects and works on paper evoke the corporeal through tactile, elaborate forms, and uncanny depictions of interior spaces rendered visible by medical technologies.
Enfoldings & Disclosures - Open Studio
Visitors are invited to contribute drawing, text and spoken stories in response to the interactive artwork. Each contribution adds to an installation of body experiences & memories.
Every Wednesday 3-6pm – March 12, 19, 26 & April 2, 9
Thursday Late Nights 5-8pm -13 March & 20 March
UTS Gallery, Level 4, 702 Harris St, Ultimo, Sydney NSW 2007. Open Monday to Friday 12 - 6pm
See Gallery website for more details at: http://www.utsgallery.uts.edu.au/gallery/index.html
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In Advance
22 April – 23 May 2008
Stephen Birch, Geoff Kleem, Vanila Netto, Paul Saint
Curated by Tanya Peterson
In Advance explores the concept of the readymade gesture within the context of contemporary art and broader culture. Setting up a dialogue between expanded photomedia and sculptural practices, the show looks at different forms of domestic and commercial architecture as sites of play and transgression. Reflecting on alternate modes of living, consumption, and signification, it examines the performance of subjectivity within the realms of the everyday and the promises of a utopian future. |
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