| Visual Operator Timothy Cole talks to William about photographing the Sydney Opera House. T: have no rules when photographing other than choosing to work with people and places. The Opera House is our one great architectural masterpiece so it is handy to have as a backdrop to the moments and events at the Quay. T: March 19th was a job for me at the Quay. I was photographing a charity gig when two women walked past talking about painting the Opera House...I ran straight there...what a day.... I hung around for as long as I could...the cheer from inside the Opera House when Will and Dave were put into the police car was so fantastic...I wish they did it at night and could of walked away laughing...they raised thousands to pay the fines. |
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W: So what's with the focus of The Quay? What's the interest? T: I've always felt excited to be at the Quay. The history, buildings and the people who go there. I also find the lack of respect to our heritage somewhat of a challenge. W: Is there something about black and white photography that lends itself to the quay or do you use color just as frequently? T: Past photographers who documented Sydney inspire me. I do like the timeless feel that B/W can give. W: Your photos seem to explore some social commentaries on the quay. Is T: The Quay is the soul of Sydney. When we celebrate or are in trouble we tend to congregate there. It’s the birthplace of the nation. So much has happened there. It’s like a sacred site. |
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